This article examines violence and necropolitical experiences in the management of life and death in Pakistan's largest city, Karachi and its representation by Omar Shahid Hamid in his debut novel The Prisoner (2013). Pakistan's western border and the largest city Karachi have long been epicentres of violent actions in the backdrop of wars (for instance, the Soviet and the 'War on Terror') in neighbouring Afghanistan. The relationship of governing authorities with violence and necropolitics is analysed in the light of critical approaches from the works of Michael Foucault (2008),