Pozorište Kao Generator Novog Konteksta

Đurašinović, Radmila; Zeković, Miljana

doi:10.24867/11fa02djurasinovic

Cited by 3 publications

(2 citation statements)

References 1 publication

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“…Ipak, trenutno je sveprisutna težnja ka novoj arhitekturi objekta , koju diktiraju vremenski tokovi i koja će istinski biti u mogućnosti da "postoji" samo ako interpretira i služi životu čovjeka koji je sada izmjenjen u odnosu na prošlost. Ukoliko, pak, rekonstrukcijom i revitalizacijom objekat uspe na ovom planu, u svojoj novoosvojenoj poziciji on postaje generator jednog novog konteksta [5].…”

Section: Očitavanje Vrijednostiunclassified

Rekonstrukcija I Revitalizacija Studija M: Prisvajanje Praznine

Marjanović

2023

Zbornik radova FTN

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U radu je povučena paralela između teorijskog okvira teme- prostorne i duhovne praznine arhitekture i realnosti jednog od znamenitih objekata iz modernističkog perioda Jugoslavije- Studija M u Novom Sadu. Kroz rad o prostornoj i duhovnoj praznini objekta kao temom, povlači se paralela sa jednim od najznačajnijih objekata iz modernističkog perioda u Jugoslaviji, Studijom M. Javlja se konceptualna projektantska težnja da se arhitektonskim sredstvima popunjavaju praznine, nastale pod uticajem svih tranzicija koje je objekat pretrpio od strane vremena. Kroz istraživanje se postavlja teza nestajanja starih vrijednosti i teži ka uspostavljanju novih, koje će biti u mogućnosti da mijenjaju predvidive istorijske tokove. Ciljevi nisu orjentisani ka upoređivanju starog i novog iskustva već ka integraciji svih prošlih i budućih u jedan cjelovito upotrebni prostor. Rekonstrukcija i revitalizacija imaju za cilj da uspostave jedinstvo jednog prostora.

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Section: Očitavanje Vrijednostiunclassified

Rekonstrukcija I Revitalizacija Studija M: Prisvajanje Praznine

Marjanović

2023

Zbornik radova FTN

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“…political and economic context(Đurašinović and Zeković, 2021), the instability of the current context will inevitably affect its development. Thus, a concept that arose from the expansive context of the 1950s and 1960s takes on a new meaning in the restrictive context of the 21st century.…”

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Indeterminacy as Value in Architecture

Đurašinović¹

2022

11th ACAU 2022: Proceedings of 11th International PhD Students Conference

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The present socioeconomic instability indicates a growing need for architects to productively incorporate elements of uncertainty into the architectural design process. In such a climate, this paper problematises the conventional practice of designing for future users while determining all elements of programme and form during the design process, and instead argues for designing for the participation of future users and stakeholders by leaving certain elements open to interpretation, completion or change once the building is inhabited. Such an approach to design echoes the theoretical and practical considerations of a number of architects during the 1950s and 60s, who, in the face of the modernist paradigm crisis, saw potential in the application of various forms and levels of indeterminacy to architectural concepts to generate a new course for modern architecture, one that was rooted in an understanding of architecture as a dynamic and evolutionary process as opposed to finished form. Drawing on these theories, this paper explores the potential for their re-evaluation in the uncertain context of the twenty-first century. The relevance of indeterminacy as a design strategy in architecture today is considered firstly through a review of a growing current in contemporary design discourse explicating the value of this concept, before exploring its contemporary manifestations in architectural practice through an overview of several notable projects. In doing so, this paper aims to establish a renewed understanding of indeterminacy as a value in contemporary architecture.

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Indeterminacy in architecture - case study of the Miseluk project

Djurasinovic

Zeković

2023

FACTA U SERIES ARCHI

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In the absence of an established city planning strategy, the initial post-war urban development of the SFRY was founded on the principles of CIAM?s ?Functional City?, which soon proved inadequate in responding to individual user needs and in reflecting the collective interests of the young socialist state. This paper positions the search for a new spatial expression of the young socialist state within the global architectural discourse of the second half of the twentieth century, which shifted towards more variable, open and indeterminate architectural models employing various forms of user participation. The characteristics of a new approach in Yugoslav architectural and urban planning practice are examined through the case study of an unrealised project for the Miseluk zone in Novi Sad developed in the late 1970s and early 1980s. The aim of this paper is to analyse the socialist response to a dominant theme of architectural discourse that is once again gaining traction in the theory and practice of contemporary architects, in order to establish a basis for the further development of these ideas in the contemporary post-socialist context. The research reveals a direction for urban planning practice based on user participation, which enables a higher level of versatility or multivariance of the design concept as a response to the individual and changing needs of users, but also as a way of achieving the resilience, i.e., adaptability of architecture in the face of unpredictable social trends.

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Pozorište Kao Generator Novog Konteksta

Cited by 3 publications

References 1 publication

Rekonstrukcija I Revitalizacija Studija M: Prisvajanje Praznine

Rekonstrukcija I Revitalizacija Studija M: Prisvajanje Praznine

Indeterminacy as Value in Architecture

Indeterminacy in architecture - case study of the Miseluk project

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