Postmodernism and 'The Other Side'

Hebdige, Dick

doi:10.1177/019685998601000206

Cited by 42 publications

(9 citation statements)

References 3 publications

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“…Estos problemas se ven agravados por la incorporación de varias disciplinas en el posmodernismo (Hebdige, 1986); además, la distorsión de los conceptos en los que se basa es inevitable, simplemente siendo un reflejo de su dispersión entre un rango de disciplinas; sin embargo, los problemas con la definición de los conceptos de posmodernidad no son suficientes, razón para rechazar su uso absoluto para una consideración de la comercialización y el consumo en la hospitalidad contemporánea.…”

Section: Aproximación a La Definición Del Posmodernismounclassified

El Consumo De La Posmodernidad en La Industria De La Hospitalidad

Insuasti

2020

KAIRÓS

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El presente artículo introduce el debate posmoderno en la industria de la hospitalidad, planteándose la interrogante ¿qué aspectos de la posmodernidad influyen en el consumidor de la industria hospitalaria? Se analizan dos casos de estudio, primero en el sector cruceros y segundo en la plataforma virtual Airbnb por medio de la aplicación metodológica de Firat y Shultz (1997) y Brown (1995) respectivamente, concluyendo que el posmodernismo ofrece un medio para conceptualizar los cambios que están teniendo lugar en el ambiente de la hospitalidad contemporánea, evidenciados en la fragmentación de los mercados, el crecimiento de las alianzas estratégicas y el crecimiento de la práctica de comercialización anárquica, enfatizando la unicidad sobre la homogeneidad, investigando la cultura del simulacro y ofreciendo la oportunidad de considerar hasta qué punto la industria hotelera contemporánea representa la sustitución de una ética puritana de consumo, con la cultura consumista asociada con el capitalismo tardío.

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Section: Aproximación a La Definición Del Posmodernismounclassified

El Consumo De La Posmodernidad en La Industria De La Hospitalidad

Insuasti

2020

KAIRÓS

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“…The EDM's presence in the world popular music industry-seen from the viewpoint of postmodernism-is a trend leading to explicit and blunt combination of various kinds of musical trends and genre in direct and conscious way (Hebdige, 1986). This combination included the repetition of combining songs recorded from the same era or otherwise on the same recording, until it 'arrived' to be a music, sound and different instruments targeting to create a new subcultural identity (Hebdige, 1995).…”

Section: Chorusmentioning

confidence: 99%

'Ora Minggir Tabrak' Electronic Dance Music (EDM), a Montage of The Time-Image

Aryandari

2019

jousa

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Electronic Dance Music (EDM) is a music genre which has been perceived in negative way because closely related to night life in which alcoholic drinks and illegal drugs. The beatings of the rhythm presented can arouse a desire to shake the body, giving instant pleasure to escape from the weariness of life. Although it could be said that this music genre is able to help the listeners to forget “the problems” of life, however, it is very rarely that the academic circle looked into this music genre and make it as a subject of interesting studies. This article is written out of subjective observations in social sphere on subjects containing a lot of secrecies and initially considered as a taboo to be discussed. The existence of EDM in line with the technological developments as montage of the time-image related with complexity of social relations, attempting to embark on a new identity in power, politics, and ideological trappings. The phenomenon comes into sight specifically in the song of “Ora Minggir Tabrak”,literally means if you get on my way I will hit you, a soundtrack of Ada Apa Dengan Cinta 2feature film. And it obviously could be seen in talent hunting for EDM musicians program broadcast by Net TV (the ReMix), and several other big events with internationally standard organized annually, such as DWP (Djakarta Warehouse Project); and Dreamfield at GWK Bali, which are worth-discussing amidst the hustle and bustle of music market in Indonesia.

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“…Developing a more concrete sense of the multifacetedness of social media suggests more fully its potential for democratizing historical representation via genre. Whatever other claims can be made about social media, a case can be made that, as a genre, they are in many ways an ur-form of modernity if not postmodernity (Buck-Morss 1989;Lunn 1982;Denzin 1986;Hebdige 1986), and thus are uniquely suited for considering what one kind of (post)modern history might be and might become. The potential of social media for historical representation is not as a convenient or expansive way of representing a singular past, but as a way of producing many pasts, thus exploding dominant assertions of authority derived from producing an account of a singular past.…”

Section: Social Media As (Post)modern Genre For Historymentioning

confidence: 99%