Postdigital Mediation of Transcendence

Trozzo, Eric

doi:10.1007/s42438-020-00135-2

Cited by 4 publications

(2 citation statements)

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“…"Art liberates the life that humans have imprisoned" (Deleuze, 1996), and digital art is an attempt to escape the prison of digital reality and digital confinement. Discussions on the nature of revelation and the creation or predestination of meaning (Trozzo, 2021) in the act and absolute of art are actualized in theological discourses that occupy an albeit more localized but traditional ideational domain reflecting ineffable or apophatic angles of "super"-existence.…”

Section: Resultsmentioning

confidence: 99%

Digital and postdigital art: from aesthetics of a subject to the ontology of an object

Khandogin

2023

R. G. Secr.

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The study highlights the increasing diversity of digital and postdigital art along with its rising or even defining influence on various phenomena and spheres of sociocultural reality. Based on ideological attitudes and value orientations, the media reality, through the ontologization of digital and postdigital art, becomes a social model of understanding reality and social life, while organizing communication, interpretation of meanings, and translation of ideas in a special way. In counterpoint to the scientific, technocratic paradigm, which in many respects dominates the digital and postdigital realm, the digital and postdigital space simultaneously becomes an arena for the revival of archaic consciousness. The essential and content foundations and aspects of the digital and postdigital manifest the categorical, conceptual, and essential ideas of art in general. They interact with the social, cultural, political, as well as geographical and topological, environments to the point of creating new cultural, social, symbolic, and material phenomena, hybrid and transformed forms. The essence of beauty is accessed through representations, mediated by symbolic, semantic, and essential agents. The study addresses specific aspects of digital art from the standpoint of materialistic approaches, postmodern concepts, network theories, and social constructivism. Particular attention is paid to the ontologization of art objects in the framework of object-oriented philosophy. Art objects acquire their ontological status from their own authenticity and gain their reality from the outside. Digital and postdigital art combines the immanent with the transcendent, which makes its objects possible or necessary, perceivable or real. Digital and postdigital art is marked by duality and ambivalence, which form a holistic unity in the aspects of object-subject relations and the social and non-human sections of reality.

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Section: Resultsmentioning

confidence: 99%

Digital and postdigital art: from aesthetics of a subject to the ontology of an object

Khandogin

2023

R. G. Secr.

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“…These reconfigurations of biology, information, and society are closely related to our understanding of postdigital humans (Fuller 2020;Savin-Baden 2021), and to new transformations of belief and religious practice (McLaren 2020;Reader and Savin-Baden 2021;Trozzo 2020). Perhaps less obviously, but just as importantly, these new reconfigurations underlie 'traditional' research topics as diverse as epistemology of truth/deceit (MacKenzie et al 2021), online behaviours (Koole et al 2021), and learning (Fawns et al 2021;Gallagher et al 2020;Goetz 2020;Networked Learning Editorial Collective 2020).…”

Section: Biology Information Societymentioning

confidence: 99%