Post-Agreement Northern Irish Literature

Heidemann, Birte

doi:10.1007/978-3-319-28991-5

Cited by 14 publications

(2 citation statements)

References 6 publications

(23 reference statements)

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“…68 Heidemann has analysed the situation using the concepts of "claustrophobic intensity", "negative liminality" and "liminal suspension". 69 e temporality of these poems, however, also corresponds with Benjamin's notion of a "dialectic at a standstill" -an "anti-linear and anti-bourgeois" 70 temporality presented, with greatest precision, in Benjamin's ekphrastic account of Paul Klee's drawing Angelus Novus as "the angel of history": His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage and hurls it in front of his feet.…”

Section: […] […]mentioning

confidence: 77%

Masculinities in Transition: Ciaran Carson, Alan Gillis and Padraig Regan in and out of Belfast

Theinová

2024

etudesirlandaises

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In "Turn Again", his poetic "guide" to Belfast and its poetry, Ciaran Carson writes that "Today's plan is already yesterday's -the streets that were there are gone". is essay explores how Carson follows his own advice and how his poetics of rambling have inspired two younger Belfast poets, Alan Gillis and Padraig Regan. All three foreground walking and movement through urban spaces as a powerful literary trope and an e ective tool of social criticism. eir anachronistically male or emphatically other personae guide us to the parallel city found between "observation and invention" (Gillis), which corresponds with Walter Benjamin's notion of the Parisian arcades as a place in which layers of time, space and consciousness coalesce. Tracing trajectories of mutual in uencing between three generations of Northern Irish poets can help us appreciate the collapsed hierarchy of time in a society that always threatens to relapse into its earlier confusion.

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Section: […] […]mentioning

confidence: 77%

Masculinities in Transition: Ciaran Carson, Alan Gillis and Padraig Regan in and out of Belfast

Theinová

2024

etudesirlandaises

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“…La plupart des écrits nord-irlandais se jouent à Belfast, prenant l' espace urbain comme coulisse de leur action. Les romans parus après 1994 sont appelés dans la critique littéraire des « Post-ceasefire novels », car ils se concentrent sur la situation après le cessez-le-feu de l'IRA (Alexander, 2011 ;Heidemann, 2016). (Hogson, 1995, p. 53-54).…”

Section: Introductionunclassified

D’une culture à l’autre. Le défi de traduire les marqueurs régionaux

Schwerter

2018

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Tous droits réservés © Stephanie Schwerter, 2018Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit.Érudit est un consortium interuniversitaire sans but lucratif composé de l

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Post‐Troubles Northern Irish Fiction

Legg¹

2020

The Wiley Blackwell Companion to Contemporary British and Irish Literature

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Post-Agreement Northern Irish Literature

Cited by 14 publications

References 6 publications

Masculinities in Transition: Ciaran Carson, Alan Gillis and Padraig Regan in and out of Belfast

Masculinities in Transition: Ciaran Carson, Alan Gillis and Padraig Regan in and out of Belfast

D’une culture à l’autre. Le défi de traduire les marqueurs régionaux

Post‐Troubles Northern Irish Fiction

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