Pores, Pimples and Pathologies: 3D Capture and Detailing of the Human Skin for 3D Medical Visualisation and Fabrication

Roughley, Mark

doi:10.1007/978-3-030-47483-6_8

Cited by 1 publication

(2 citation statements)

References 25 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…These include the 'ZRemesher' and 'Dynamesh' tools. Both tools will automatically rearrange the polygons that comprise the model and organise them for use (Roughley, 2020). Figure 12 shows the topology of a 3D model before and after 'ZRemeshing'.…”

Section: Workflowmentioning

confidence: 99%

“…While there are different facial reconstruction methods (Prag and Neave, 1997;Taylor, 2000;Wilkinson, 2005;Iscan and Steyn, 2013;Stephan, and Claes, 2016), most follow established and tested anatomical standards and procedural guidelines to create face shape (Wilkinson, et al 2006;Lee, et al 2012). Once the facial reconstruction shape is produced, a variety of primary, secondary and tertiary skin 'textures' are added, including wrinkles, creases and pores, followed by the addition of eyes, hair and additional accoutrements or clothing, plus colour information (Wilkinson, 2010;Roughley and Wilkinson, 2019;Roughley, 2020). For the purposes of this chapter, a 'facial reconstruction' describes the process of building a face from skull to skin layer.…”

Section: Introductionmentioning

confidence: 99%

See 1 more Smart Citation

Digital 2D, 2.5D and 3D Methods for Adding Photo-Realistic Textures to 3D Facial Depictions of People from the Past

Roughley

Liu

2022

Advances in Experimental Medicine and Biology

Self Cite

View full text Add to dashboard Cite

Facial reconstruction is a technique that can be used to estimate individual faces from human skulls.The presentation of 3D facial reconstructions as photo-realistic depictions of people from the past to public audiences varies widely due to differing methods, the artists' CGI skillset, and access to VFX software required to generate plausible faces. This chapter describes three digital methods for the addition of realistic textures to 3D facial reconstructions; a 2D photo-composite method, a 3D digital painting and rendering method, and a previously undescribed hybrid 2.5D method.These methods are compared and discussed in relation to artistic proficiency, morphological accuracy and practitioner bias.

show abstract

Section: Workflowmentioning

confidence: 99%