2017
DOI: 10.1177/0305829817712819
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Politics of the Living Dead: Race and Exceptionalism in the Apocalypse

Abstract: The zombie, as a Western pop culture icon, has taken up residence in International Relations. Used both humorously and as a serious teaching tool, many scholars and professors of IR have written of the zombie as a useful figure for teaching IR theory in an engaging manner, and have used zombie outbreaks to analyse the responses of the international community during catastrophe, invasion, and natural disasters. The authors of this article would like to unearth another aspect of the zombie that is often left uns… Show more

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Cited by 16 publications
(5 citation statements)
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“…The relationship between the checkpoint, borders and asymmetric security apparatus has a broad literature, with paradigmatic cases such as Israel’s radical militarisation of Palestinian lands (see, among others, Hammami, 2010, 2015; Kotef and Amir, 2007, 2015; Rijke and Minca, 2018); Europe’s biopolitical response to refugee arrivals (Aradau and Tazzioli, 2020; Fishel and Wilcox, 2017; Sigona, 2018; Vaughan-Williams, 2015); and the Mexico-United States history of border policing (Andreas, 2011; Boyce and Chambers, 2021; Castañeda and Melo, 2019). These authors have aligned with a broader interpretation of what checkpoints signify and how their operational logic warps urban and social traits.…”
Section: Spatialising the Checkpoint Dispositivementioning
confidence: 99%
“…The relationship between the checkpoint, borders and asymmetric security apparatus has a broad literature, with paradigmatic cases such as Israel’s radical militarisation of Palestinian lands (see, among others, Hammami, 2010, 2015; Kotef and Amir, 2007, 2015; Rijke and Minca, 2018); Europe’s biopolitical response to refugee arrivals (Aradau and Tazzioli, 2020; Fishel and Wilcox, 2017; Sigona, 2018; Vaughan-Williams, 2015); and the Mexico-United States history of border policing (Andreas, 2011; Boyce and Chambers, 2021; Castañeda and Melo, 2019). These authors have aligned with a broader interpretation of what checkpoints signify and how their operational logic warps urban and social traits.…”
Section: Spatialising the Checkpoint Dispositivementioning
confidence: 99%
“…7 For the zombie's history in the Haitian Revolution, see Dayan (1996). For extensive surveys of its contemporary cultural importance, see Lauro (2015Lauro ( , 2017; Fishel and Wilcox (2017); Dillon (2019). 8 For other examples, in Max Brooks's World War Z the origins of its zombiecreating virus are in China (the book) and in India (the movie), while the popularity of recent South Korean zombie media Train to Busan, Kingdom, Peninsula, and #Alive point to the displacement of the zombie horde to Asia itself and a threat to its newly emergent middle class, modeling itself on Western possessive individualism.…”
Section: Living Yellow Life Otherwisementioning
confidence: 99%
“…For instance, the highly popular genre of zombie films and even IR texts 81 appropriate these creatures, representatives of Black and Brown bodies and rebellion against slavery, while envisioning their elimination as a means of ensuring survival. 82 Similarly, influential American settler science fiction writer Robert A. Heinlein's The Day After Tomorrow locates threats to whiteness in the bodies of 'Pan-Asians' who have colonized white places and must be violently eradicated. 83 White readers might argue that these forms of science fiction are just that: fictive fantasies.…”
Section: Unidirectional Timementioning
confidence: 99%