Abstract:The goal of this paper is to underline the key concepts of the Third Way revolutionary cinema of Latin America with regard to collective memory and politics of remembrance, the National Project of reshaping the National identities and the ideological shift from de-colonial and postcolonial matrixes in the revolutionary utopianism of modernistic cinema and its academic re-evaluation.Latin America is often unnecessarily burdened with a universal theoretical framework of postcolonial production of the difference … Show more
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