Abstract:Recent years have brought enormous growth in the number of women-only art exhibitions. These exhibitions are accompanied by discussions that concentrate on curatorial feminist activism. In this text, I propose a different perspective by taking into consideration all exhibitions where the participants were determined by social category (i.e. women) and which were organized in one country during one year (i.e. in Poland in 2017). This perspective not only allows us to remark on and analyse activities that otherw… Show more
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