2011
DOI: 10.2752/175174111x13028583328883
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“Politics and Petticoats”: Fashioning the Nation inPunchMagazine 1840s–1880s

Abstract: of fashion. In this context, the iconic figure of Britannia, the female incarnation of Great Britain, becomes the very nucleus of national character and her dress functions as a microcosm of the British state. With a deeper understanding of the narrative practices of Punch, therefore, we can begin to comprehend the multiplicity of dress and bodily performance that may help the reader probe into the process of imagining and narrating the nation.

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Cited by 5 publications
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“…Yan (: 368) has recently analysed “the image of Britannia” in Punch cartoons; specifically, its contribution to “tailoring the nation during the Victorian era.” Sharing Maynard's assumption that “dress, as a form of inscription, operates at the level of the body, constructing differences which produce the social body as a textured object with multidimensional layers, touched by the weave of history and culture” (in Tulloch : 362), numerous other studies have also focused on the relationship between fashion, gender, and the formation of national identity (e.g. Goodrum ; Parkins ).…”
Section: Studying the State Through Mass Mediated Civic Ritualmentioning
confidence: 99%
“…Yan (: 368) has recently analysed “the image of Britannia” in Punch cartoons; specifically, its contribution to “tailoring the nation during the Victorian era.” Sharing Maynard's assumption that “dress, as a form of inscription, operates at the level of the body, constructing differences which produce the social body as a textured object with multidimensional layers, touched by the weave of history and culture” (in Tulloch : 362), numerous other studies have also focused on the relationship between fashion, gender, and the formation of national identity (e.g. Goodrum ; Parkins ).…”
Section: Studying the State Through Mass Mediated Civic Ritualmentioning
confidence: 99%