“…Art's critical potential in this context is seen leverageable not simply by confronting Western audiences with war's violent reality, but rather by problematising the drive for solutionist intervention and consensus characterising the very notions of democracy and peace touted by the proponents of these wars, while also indexing the dissentience-oriented political work that needs doing outside the gallery or museum (Ingram, 2011(Ingram, , 2016Sachs Olsen, 2019). Methodologically, then, this literature appraises art's aestheticsas-geopolitics against "post-political" notions of democracy, peace, and prosperity used in legitimising neoliberal policies that at once inflict and mask various forms of marginalisation and violence in cities and beyond (Doucette, 2020;Roberts et al, 2003;Swyngedouw, 2009;Wilson & Swyngedouw, 2014; on aesthetics beyond art, see Goonewardena, 2005;Harvey, 1990).…”