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2010
DOI: 10.1057/9780230290433
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Pole Dancing, Empowerment and Embodiment

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Cited by 39 publications
(38 citation statements)
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“…More specifically, ballet is unique in terms of the control, competition and challenge required in the dancers’ daily rehearsals and due to its intense physicality and occupational culture (Aalten, 2007; Forsyth and Kolenda, 1966). Governed by specific norms and regimes, the agency of ballet dancers appears to be significantly restricted by the power of the self, other agents, professional garments, the gaze and mirrors, choreography, space, the audience and occupational traditions (Barnes, 2000; Holland, 2010). Hence, professional dancers appear to move in a continuous process of ‘dialogical or participative person-world making’ (Hosking, 2011: 62), as they constantly negotiate their own liberties at work in relation to each other and the surrounding culture.…”
Section: Methodsmentioning
confidence: 99%
“…More specifically, ballet is unique in terms of the control, competition and challenge required in the dancers’ daily rehearsals and due to its intense physicality and occupational culture (Aalten, 2007; Forsyth and Kolenda, 1966). Governed by specific norms and regimes, the agency of ballet dancers appears to be significantly restricted by the power of the self, other agents, professional garments, the gaze and mirrors, choreography, space, the audience and occupational traditions (Barnes, 2000; Holland, 2010). Hence, professional dancers appear to move in a continuous process of ‘dialogical or participative person-world making’ (Hosking, 2011: 62), as they constantly negotiate their own liberties at work in relation to each other and the surrounding culture.…”
Section: Methodsmentioning
confidence: 99%
“…There is a growing literature on self-sexualizing behaviors in young women, such as heterosexual women publicly kissing each other at parties (Yost & McCarthy, 2012) and pole dancing for exercise (Holland, 2010). The research on male self-sexualization is considerably smaller.…”
Section: Gender Differencesmentioning
confidence: 99%
“…Indeed, the literature has generally taken the stance that sexualization of women is pervasive and damaging (Gill, 2003;Wolf, 1991), particularly in its relationship to self-objectification (Fredrickson & Roberts, 1997). Some authors (e.g., Holland, 2010), however, have argued that such self-sexualizing behaviors are empowering for women, even representing a third wave of feminism (Attwood, 2007). There is a growing literature suggesting that the media objectification of men is also increasing (e.g., Leit, Pope, & Gray, 2001) and that self-objectification is also harmful to men (Calogero, 2009;Choma et al, 2010;McKinley, 1998).…”
mentioning
confidence: 99%
“…The public tolerance of exotic dance, and the acceptance of exotic dancers in mainstream society, fluctuates greatly: some scholars have noted the recent influx of permissive attitudes towards individual sexualized behaviors such as exotic dancing, which may be viewed as “liberating” or “empowering” (Fenserstock, 2006; Holland, 2010; McNair, 2002). Anthropologist and dance scholar Judith Hanna describes exotic dance as a form of free expression, that should be viewed in the context of art, play and sexuality (Hanna, 2003), and concludes that exotic dance is a protected art form under the first amendment of free speech in the US (Hanna, 2005).…”
Section: Exotic Dance As a Form Of Sexual Labormentioning
confidence: 99%