2016
DOI: 10.4324/9781315600956
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Poetics of the Iconotext

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Cited by 23 publications
(10 citation statements)
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“…The 'defamiliarising paratext' (cf. Louvel 2011Louvel , 2013 of the cover to the following map, title page, dedication, introduction and no less than three illustrations. A. Milne's Winnie-the-Pooh frames the book as children's literature in multiple and shifting ways (cf.…”
Section: A a Milne's Winnie-the-pooh (1926): A Paratextual Tour De mentioning
confidence: 99%
See 1 more Smart Citation
“…The 'defamiliarising paratext' (cf. Louvel 2011Louvel , 2013 of the cover to the following map, title page, dedication, introduction and no less than three illustrations. A. Milne's Winnie-the-Pooh frames the book as children's literature in multiple and shifting ways (cf.…”
Section: A a Milne's Winnie-the-pooh (1926): A Paratextual Tour De mentioning
confidence: 99%
“…Louvel 2011). A. S. Byatt was inspired by Matisse's pictures, which serve as 'parapictures' and as 'hypopictures' (cf.…”
Section: A S Byatt's Matisse Stories (1993): Re-framing Pictorial Hmentioning
confidence: 99%
“…is also graphically promiscuous. Even at first glance it presents itself as an aggressively -perhaps even oppressively -visual narrative that could be called an "iconotext" (Louvel 2011;Wagner 1996), "imagetext" (W.J.T. Mitchell 1994), "mixed" (Bernier 1990), or "hybrid" (Sadokierski 2011) text, that is, one that creates its meaning through complex and intricate intersections of words with images.…”
mentioning
confidence: 98%
“…12 See also the work of Desai (1995), which interrogates the link between text and image by studying a set of Indian miniature paintings. 13 Louvel wrote many books in French; one of them was edited by Jacobs and Petit (Louvel 2011) main interest is to think about texts and images in a different way by using the term of iconotext which 'illustrates perfectly the attempt to merge text and image in a pluriform fusion, as in an oxymoron. The word "iconotext" conveys the desire to bring together two irreducible objects and form a new object in a fruitful tension in which each object maintains its specificity.…”
Section: Context Of Production and The Connection Of Painting And Texmentioning
confidence: 99%