2003
DOI: 10.1080/13573320309256
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Poetic Representations in Sport and Physical Education: Insider Perspectives 1

Abstract: As part of the emergence of new writing practices in the social sciences, qualitative researchers have begun to harness the potential of poetic representations as a means of analysing social worlds and communicating their findings to others. To date, this genre has been little used within the domains of sport and physical education. Accordingly, in this article, we provide examples of poetic representations and seek to generate insights into the process of their construction by exploring the perspectives of th… Show more

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Cited by 79 publications
(49 citation statements)
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“…Below we share two of these narrative forms, an 'ethnographic fiction' (Clough 2002;Sparkes 2002) and a 'poetic transcription' (Richardson 2000;Sparkes et al 2003). The 'ethnographic fiction' is fictional in the sense it is an amalgam of 'raw data' from this case study and the 9 other cases, as well as the researchers' imagination and knowledge about the field: ''.…”
Section: Methodsmentioning
confidence: 99%
“…Below we share two of these narrative forms, an 'ethnographic fiction' (Clough 2002;Sparkes 2002) and a 'poetic transcription' (Richardson 2000;Sparkes et al 2003). The 'ethnographic fiction' is fictional in the sense it is an amalgam of 'raw data' from this case study and the 9 other cases, as well as the researchers' imagination and knowledge about the field: ''.…”
Section: Methodsmentioning
confidence: 99%
“…I want to stress that I am not advocating self-indulgent sentimentality or emotionality simply for its own sake, but like Hargreaves(2000) see a critical engagement with our feelings, as and when it seems appropriate, as a potential means for enhancing our teacher education practice. Noddings (1996) has long since recognised story-telling as a way of helping teachers to get in touch with their feelings, Richardson (1990) highlights in this respect the collective story's transformative power, Tinning (2002) points to the possibilities for literary criticism to open up our emotional horizons, and I would add to this list of possible methods, the composition of poetic representations of our lived work experience as a means for conveying how this can feel (Dowling Naess, 1998;Sparkes et al, 2003). Whichever method we employ, however, we need to be conscious of the extraordinary level of trust and respect, which an exposure of our innermost and vulnerable selves, will require of both ourselves and of our colleagues (Day & Leitch, 2001).…”
mentioning
confidence: 99%
“…The representation of research data into a poetic form honors the voice of participants as co-collaborators of research in which their "lived experiences" take center stage (Richardson, 1992). Sparkes, Nilges, Swan, and Downing (2003) describe several advantages of poetic re-presentation for the researcher. From our point of view, the single most important advantage was that research poetry provided us with an innovative form in which to explore lived experiences of trust.…”
Section: Discussionmentioning
confidence: 99%