“…Everyone is watching! After a time of bare feet on ground, drum vibration, cow bell ting ti-ting ti-ti-ti ting, and the warm sun on my face, I felt a shift to a kind of not-feeling-not-thinking-both-and, a kind of tap-in to the play instinct of movement, action, and body consciousness (Bayliss, 1999;Nachmanovitch, 1990). I started to goof around in my dance, arms wide up and around, flamenco moves, spinning around, my face got into it, my hands, my knees.…”