This article explores the regulatory practices that shape the production of embodied masculinities in profile pictures in the online dating app, Grindr. Mobile dating applications are becoming increasingly enmeshed in everyday socio-sexual lives, providing 'new' spaces for construction, embodiment and performance of gender and sexuality. I draw on 31 semistructured interviews and four participant research diaries with men who use Grindr in Newcastle-upon-Tyne, a postindustrial city in North East England. Exploring the ways men display, expose and place their bodies in online profile pictures, revealed the production of two forms of masculinityhypersexualised masculinity and lifestyle masculinity. I argue that the regulatory practices that shape men's bodies in everyday spaces work to produce these masculinities. I take a visual approach that pays attention to the spatial practices that produce pictures, but that also pays attention to other senses, particularly touch. Paying attention to the visuality of the Grindr grid enables an understanding of the instability of online/offline dichotomies, as it is the interactions of online and offline spaces that enable the production of digital masculinities.
'The meat market': consuming digital masculinitiesJosh: I think any dating profile sort of thing is a place for advertising, it's selling yourself essentially, you obviously, you're using that profile with an aim in mind, so it's a market, it's a meat market essentially. You do have to advertise yourself to a certain extent, you do have to convince someone like that you are what they want and what they desire. So yeah, like Grindr is a place like that, I truly believe that. (Josh, 23, white British)Scholars in digital geographies and new media and digital cultural studies argue that digital spaces are deeply entangled with the fleshy corporeality of embodied