Plans and performances: Parallels in the production of science and music

Abstract

Whether in the science lab or the music studio, we go in with a plan, we perform, and we make a record of that performance for distribution, consumption, and reuse. Both domains are increasingly data-intensive, with the adoption of new technology, and also socially intensive with democratised and growing citizen engagement. The music industry has embraced digital technology throughout the lifecycle from composition to consumption; scientific practice, and scholarly communication, are also undergoing transformation. Is the music industry more digital than science? We suggest that comparing and contrasting these two systems will provide insights of mutual benefit. Our investigation explores the notion of the Digital Music Object, analogous to the Research Object, for rich capture, sharing and reuse of both process and content.

Experimental Humanities: An Adventure with Lovelace and Babbage

“…While some aspects of this work have contributed to a range of publications, including e-Science [2], Semantic Web [3] and Mobile HCI [4], this is the first comprehensive account of our experiments and demonstrations to date and invites reflection on the methodology. Our research is clearly practiceled, as described by Archer [5]: "There are circumstances where the best or only way to shed light on a proposition, a principle, a material, a process or a function is to attempt to construct something, or to enact something, calculated to explore, embody or test it."…”