Abstract:Shakespeare regularly stages extreme violence. In Titus Andronicus, Chiron and Demetrius are baked in a pie and eaten by their mother. Gloucester's eyes are plucked out in King Lear. In contradistinction to this graphic excess are moments when violence is relegated off-stage: Macbeth kills King Duncan in private; when Richard III suborns the assassination of his nephews-the notorious 'Princes in the Tower'-the boys are killed away from the audience. In such instances, the spectator must imagine the scope and f… Show more
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