2018
DOI: 10.1080/14623528.2018.1522818
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Photography, Film and Visibly Wounded Genocide Survivors in Rwanda

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Cited by 2 publications
(7 citation statements)
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“…Beyond a sense of self, there are survivors with deep visible scars that affect their movement and ability to perform everyday tasks (Norridge, 2019: 69). They are forced to depend on others, even for simple tasks, such as washing clothes.…”
Section: Scars and One’s Self-perception And Abilitymentioning
confidence: 99%
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“…Beyond a sense of self, there are survivors with deep visible scars that affect their movement and ability to perform everyday tasks (Norridge, 2019: 69). They are forced to depend on others, even for simple tasks, such as washing clothes.…”
Section: Scars and One’s Self-perception And Abilitymentioning
confidence: 99%
“…the head or neck) often provoked questions and discussions. Scars are public expressions of memory found in everyday interactions (Norridge, 2019: 69). In Rwanda, as one researcher put it, ‘the physical marks that remain on bodies constitute an intrusion of the genocide into everyday experience’.…”
Section: The Meanings Of Scars In Post-genocide Rwandamentioning
confidence: 99%
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“…That is (…) agents are writing (though violently) a narrative of the past that stands in contrast to that of individuals and groups who use this space for remembering Peru's war and the victims of it. In other words, various groups are 60 See Tadjo (2010) on the changing memory landscape in Kigali and Norridge (2019) on the changing visual representation of the Genocide against the Tutsi in Rwanda. 61 The Black Lives Matter (BLM) movement and its attack on statues that honoured former slave owners or colonial officers shows how memory is deeply conflictual and how the engagement one has with a memorial differs depending on belonging and experience.…”
Section: Public Memorials As a Safe Discursive Spacementioning
confidence: 99%