2018
DOI: 10.5334/gjgl.368
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Phonology and orthography: The orthographic characterization of rendaku and Lyman’s Law

Abstract: This paper argues that phonology and orthography go in tandem with each other to shape our phonological behavior. More concretely, phonological operations are non-trivially affected by orthography, and phonological constraints can refer to them. The specific case study comes from a morphophonological alternation in Japanese, rendaku. Rendaku is a process by which the first consonant of the second member of a compound becomes voiced (e.g., /oo/ + /tako/ → [oo+dako] 'big octopus'). Lyman's Law blocks rendaku whe… Show more

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Cited by 7 publications
(2 citation statements)
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References 77 publications
(105 reference statements)
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“…Kumagai argues that this alternation is instead caused by a sound symbolic principle to express cuteness; indeed his experiment shows that [ p ] is judged to be “cuter” than any other consonants. Moreover, he has shown that this alternation interacts with an independently motivated phonotactic constraint that prohibits the [p…[+voice]] configuration (Kawahara, 2018)—nicknames created by the [h]‐[p] alternation are judged to be less natural when they violate *[p…[+voice]]. See Jang (2019) for a similar case found in Korean baby talk, Aegyo .…”
Section: Phonology and Sound Symbolismmentioning
confidence: 99%
“…Kumagai argues that this alternation is instead caused by a sound symbolic principle to express cuteness; indeed his experiment shows that [ p ] is judged to be “cuter” than any other consonants. Moreover, he has shown that this alternation interacts with an independently motivated phonotactic constraint that prohibits the [p…[+voice]] configuration (Kawahara, 2018)—nicknames created by the [h]‐[p] alternation are judged to be less natural when they violate *[p…[+voice]]. See Jang (2019) for a similar case found in Korean baby talk, Aegyo .…”
Section: Phonology and Sound Symbolismmentioning
confidence: 99%
“…It could therefore be argued that the reversing operation of sakasa kotoba is not phonological, but orthographic; the pronunciation of a reversed series of written characters. Previous work has shown an influence of orthography on Japanese language game patterns, as in Itô et al 's (1996) study of zuuja-go, as well as on some phonological processes (Kawahara 2018). Based on the data collected here, we demonstrate that, although some speakers’ forms show some influence of orthography, sakasa kotoba nonetheless involves phonological operations, and cannot be reduced to the manipulation of written characters.…”
Section: Orthographic Influencementioning
confidence: 89%