Phonological Patterns in the Hebrew Bible: A Century of Studies in Sound

Abstract

This article traces the history of scholarship on sound patterns in the Hebrew Bible. Beginning in the nineteenth century, studies devoted to biblical Hebrew phonological patterns or devices entertain questions and debates that continue for over a century. Many works contribute concepts, frameworks, definitions and typologies to the phonic repertoire. Others employ such tools by identifying, organizing and explaining sounds in the biblical texts themselves. These two sides of scholarship-theory and application-characterize the field and include recurring questions of how to classify or define sound patterns, and also how to determine sound's function. This article attends to the landmark studies and turning points from 1865 to 2015, especially underscoring the various terminologies. It is structured according to key scholars and by decades that share a common approach.

The function of alliteration in the prosaic and poetic accounts of the Deborah cycle

“… 36. Arthur Keefer, “Phonological Patterns in the Hebrew Bible: A Century of Studies in Sound,” Currents in Biblical Research (2016): 59. …”