Philosophy and liturgy part 1: Liturgy and philosophy of action

Cockayne, Joshua

doi:10.1111/phc3.12547

Cited by 2 publications

(3 citation statements)

References 14 publications

(34 reference statements)

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“…Wolterstorf argued that one of the key values of the body's dimension in acting liturgically is that it enables people to worship communally. Without the body, the communal dimension of the liturgy would be completely lost (Cockayne, 2018a).…”

Section: Music Becomes the Foundation Of Liturgymentioning

confidence: 99%

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Music in The Liturgy of The Catholic Community in Jakarta, Indonesia

Sihombing¹

2020

al-albab

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This article discusses music in the Catholic liturgy in Jakarta, Indonesia in the postmodern era within the context of the autonomy of the Catholic Church. The Indonesian Catholic Church is an independent and autonomous church where liturgical music is a form of original artistic expression. However, in practice, the majority of Catholics in Indonesia view the liturgical celebration as uninteresting and dull. Conversely, pop music has increasingly influenced liturgical music. This reality is discussed and analyzed specifically in regards to liturgical music that experiences contextual data inference, especially in the specific cultural contexts of the community. The data analysis shows, in perception of Catholics in Jakarta, the role of liturgical music in worship is not homogeneous, but rather depends on the educational background, attention from Pastors of the Parish, cultural factors, and individual past experiences. For the most part, the level of understanding regarding the nature and important position of liturgical music in religious holy celebrations is low. Most consider that all music is the same and can therefore be used in the liturgy. Music is considered only a complement to enhance religious celebrations. In this context, the government and the Indonesian Catholic Church established the Catholic Church Choir Development Institute (LP3K) as a forum for fostering Catholics in Indonesia in the liturgical field and discussing issues related to music. This article confirms that the position of the liturgical music is crucial and has an irreplaceable significance in the liturgy, and the two are inextricably woven to each other.

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Section: Music Becomes the Foundation Of Liturgymentioning

confidence: 99%

“…114). Smith argues that "worship is not a personal matter; we have gathered as a people, as a church, and together we depend on our redeeming Creator, so we depend on each other (Cockayne, 2018a).…”

Section: Music Becomes the Foundation Of Liturgymentioning

confidence: 99%

Music in The Liturgy of The Catholic Community in Jakarta, Indonesia

Sihombing¹

2020

al-albab

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“…Yet it remains true that there are ways in which we can know and relate to God. See especiallyHarrison (1992, 62-130).29 For more on the different definitions of liturgy, seeCockayne (2018).…”

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Seeing the Face of Christ

King

2020

TheoLogica

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The problem of the hiddenness of God has at least two kinds: an experiential and an intellectual problem. Despite differences, a solution to either would require some account of how God is personally known. Yet for the Christian tradition, God is known in the man Jesus Christ. I suggest, then, a Christological reformulation of the hiddenness argument, and proceed to offer an account of how Christ is known. With special attention to the ecclesiology of Gregory of Nyssa, I offer an account of knowing Christ in the church. I then explore this as a response to the problems of divine hiddenness, and anticipate a considerable objection to my response.

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Philosophy and liturgy part 1: Liturgy and philosophy of action

Cited by 2 publications

References 14 publications

Music in The Liturgy of The Catholic Community in Jakarta, Indonesia

Music in The Liturgy of The Catholic Community in Jakarta, Indonesia

Seeing the Face of Christ

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