Perverting Technological Correctness

Lozano-Hemmer, Rafael

doi:10.2307/1576269

Cited by 7 publications

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“…Integrating elements of body art, videogames and multimedia applications, it allowed volunteers from the audience to play with (or "tele-torture") the performer's (i.e. Antúnez's) naked body via a graphical interface [29][34] [45]. Epizoo's graphical interfaces, as seen in figure 1, could seem to come from a weird videogame designed by the likes of Hieronymus Bosch or Giuseppe Archimboldo, but the fact is, that these GUIs still stick to the typical, hypertextual multimedia cd-rom or web approach: buttons (albeit very hidden) for discrete selections, and sliders (or hot-spots that evaluate mouse activity) for continuous controllers.…”

Section: Sonigraphical Preliminaries 21 Epizoo (1994-1995)mentioning

confidence: 99%

2003: Sonigraphical Instruments: From FMOL to the reacTable*

Jordà

2017

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This paper first introduces two previous software-based music instruments designed by the author, and analyses the crucial importance of the visual feedback introduced by their interfaces. A quick taxonomy and analysis of the visual components in current trends of interactive music software is then proposed, before introducing the reacTable*, a new project that is currently under development. The reacTable* is a collaborative music instrument, aimed both at novices and advanced musicians, which employs computer vision and tangible interfaces technologies, and pushes further the visual feedback interface ideas and techniques aforementioned.

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Section: Sonigraphical Preliminaries 21 Epizoo (1994-1995)mentioning

confidence: 99%

2003: Sonigraphical Instruments: From FMOL to the reacTable*

Jordà

2017

A NIME Reader

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Improvising With Computers: A Personal Survey (1989?2001)

Jordà¹

2002

Journal of New Music Research

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This paper exposes some topics and questions about music improvisation using computers that the author has considered during more than a decade of experience as a performer, composer, software designer and educator. After a quick review of several of his previous interactive music systems, some of those issues are then confronted in FMOL, a program initially designed as a tool for on-line collaborative composition that has been used by hundreds of on-line composers, and which is also being employed by the author in free-form audiovisual improvisation concerts.

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OutRun

Hertz

2010

Proceedings of the Fifth International Conference on the Foundations of Digital Games

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Perverting Technological Correctness

Cited by 7 publications

References 0 publications

2003: Sonigraphical Instruments: From FMOL to the reacTable*

2003: Sonigraphical Instruments: From FMOL to the reacTable*

Improvising With Computers: A Personal Survey (1989?2001)

OutRun

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