Abstract:When watching a film, the spectator is faced with multiple perspectives, three of which stand out: that of the director - projected by the camera -, that of the protagonist of the narrative and his own. These perspectives guide the way a work is absorbed by the public and, consequently, how the author/director’s worldview is established in his filmography. For the feminist theorist bell hooks, the gaze has a power that invites from resistance to opening to other interpretative margins. Such elements are intere… Show more
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