Personal freedom and societal expectations towards LGBTQ+: Audience insights into Vietnamese cinema's “Goodbye Mother”

Abstract

This study examines the cinematic masterpiece “Thưa mẹ con đi” (Goodbye Mother) by Trinh Dinh Le Minh, with a specific focus on its representation of LGBTQ+ themes, love, and identity. Utilizing a multifaceted research approach, which includes an in‐depth plot overview analysis, a substantial survey involving over 300 participants, and enlightening semi‐structured interviews, the study offers profound insights into the perspectives of its audience. The findings uncover intricate perceptions regarding family expectations, acceptance, and personal freedom, illuminating the film's capacity to challenge and reshape societal norms. Ultimately, this research highlights the influential role of cinema in cultivating greater comprehension and acceptance of diverse expressions of love and identity within the context of contemporary Vietnamese society, presenting significant contributions to both LGBTQ+ and media studies.