Abstract:This article explores infrastructures of subaltern resistance in Pakistan through a focus on spatial and performative modes and across a number of historical and contemporary examples. I start with the figure of the puppet, tracing it historically as an example of how culturally specific modes of dissent have evolved from a colonial to a postcolonial context, and further into a neoliberal space. I then analyse the practice of ‘wall chalking’, which could be considered a local form of graffiti that also embodie… Show more
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