Performing Mountains 2020
DOI: 10.1057/978-1-137-55601-1_13
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Performing Mountains: General Conclusion

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“…In an extension of this research, Ponting and McDonald (2013) study how the tourism industry, surf tour providers, and surfers construct the surf-tour space by co-producing myths associated with “nirvana.” While they offer some explanation of how cultural knowledge is created, they do little to examine how tourists assign it to their experiences. This and other research that considers the construction of nature in the nature sports context (Pitches, 2020; Preston-Whyte, 2002; Rickly-Boyd, 2012a) fails to explore culture-in-action (Swidler, 1986) in terms of how the tourist’s cultural knowledge of nature can bring meaning to the experience.…”
Section: Literature Reviewmentioning
confidence: 99%
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“…In an extension of this research, Ponting and McDonald (2013) study how the tourism industry, surf tour providers, and surfers construct the surf-tour space by co-producing myths associated with “nirvana.” While they offer some explanation of how cultural knowledge is created, they do little to examine how tourists assign it to their experiences. This and other research that considers the construction of nature in the nature sports context (Pitches, 2020; Preston-Whyte, 2002; Rickly-Boyd, 2012a) fails to explore culture-in-action (Swidler, 1986) in terms of how the tourist’s cultural knowledge of nature can bring meaning to the experience.…”
Section: Literature Reviewmentioning
confidence: 99%
“…A common way the tourism industry appropriates nature in the nature sports context is to draw on notions of masculinity (Pitches, 2020; Wheaton, 2003). Sometimes labeled the anthropocentric perspective, this includes depicting nature as a force to be conquered (Shoham et al, 2000).…”
Section: Literature Reviewmentioning
confidence: 99%
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