Performing Identities in Bram Stoker’s Dracula: The Encounter with the Other Between Politics, Tourism, Migration and Culture in the Late Victorian Context

Abstract

Bram Stoker’s Dracula presents an investigation of identity from multiple perspectives: the political stance of the Victorian fin de siècle intersects with questions of identity and their liminal articulation through narrative control. The count becomes a “thick” synecdoche for the East and his arrival to England symbolises a reverse political and cultural colonisation that leads to a new image of the individual, revealing the innermost recesses of Western culture.