2002
DOI: 10.1080/0261436022000030678
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Performing heritage: the use of live ‘actors’ in heritage presentations

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Cited by 44 publications
(19 citation statements)
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References 7 publications
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“…Therefore, the visitors were satisfied with the EDA medium and believed that this medium could induce mindfulness more so than any other applied media used at the selected heritage sites. This finding is consistent with previous studies indicating that audiovisual displays, exhibits, and live performances are an efficient means of communication with visitors (Carr, 2004;Tivers, 2002). Furthermore, from the perspective of visitors, the personal connection feature of the PM medium, and the interactivity/participation feature of the TG medium can contribute toward greater mindfulness more so than other features.…”
Section: Discussionsupporting
confidence: 82%
“…Therefore, the visitors were satisfied with the EDA medium and believed that this medium could induce mindfulness more so than any other applied media used at the selected heritage sites. This finding is consistent with previous studies indicating that audiovisual displays, exhibits, and live performances are an efficient means of communication with visitors (Carr, 2004;Tivers, 2002). Furthermore, from the perspective of visitors, the personal connection feature of the PM medium, and the interactivity/participation feature of the TG medium can contribute toward greater mindfulness more so than other features.…”
Section: Discussionsupporting
confidence: 82%
“…Malcolm-Davies (2004) recommended costumed interpretation to help tourists to learn, to feel a sense of the past and to have fun. Tivers (2002) revealed that using "live" actors to interpret a historical site could deepen tourists' understanding of the past and increase their enjoyment.…”
Section: Discussionmentioning
confidence: 98%
“…Sociologists have undertaken important research on living history pursuits. These have highlighted a diversity of cultures, including in relation to first-person historical interpretation at museums (Tivers 2002;Voase 1999) and historical role playing at historical tourist precincts where costumed interpreters act, work and dress as they might have done in the era (Anderson 1982;Gable and Handler 2000;Maggelssen 2007). Agnew (2007) has also highlighted how the logics of living history underpin popular historical reality television series such as The Trench (UK), Frontier House (US), Pioneer Quest (Canada) and The Colony (Australia).…”
Section: Performance and Political Orthodoxymentioning
confidence: 99%