2012
DOI: 10.1080/00141844.2011.580357
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Performing Good Governance: The Aesthetics of Bureaucratic Practice in Malawi

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Cited by 18 publications
(10 citation statements)
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“…The mechanisms of collecting and redistributing blood could be figured as an in-gathering of citizens, constituting the nation as a biopolitical collective in terms legible to itself and the rest of the world 7 . It did this by sustaining three key connotations of modern ‘stateness’ (see Eggen 2012), which I discuss in the following sections: (1) the overcoming of tribalism; (2) patriotic sacrifice and productivity; and (3) order and medical enlightenment. Each supported Kenyatta's rhetorical ambition to position Kenya, a long-standing ally of Britain and the US, as a reliable partner in the ‘war on terror’ and a member of the ‘international community’ waging that war 8…”
Section: Westgate: Crisis Donation Rhetoricmentioning
confidence: 99%
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“…The mechanisms of collecting and redistributing blood could be figured as an in-gathering of citizens, constituting the nation as a biopolitical collective in terms legible to itself and the rest of the world 7 . It did this by sustaining three key connotations of modern ‘stateness’ (see Eggen 2012), which I discuss in the following sections: (1) the overcoming of tribalism; (2) patriotic sacrifice and productivity; and (3) order and medical enlightenment. Each supported Kenyatta's rhetorical ambition to position Kenya, a long-standing ally of Britain and the US, as a reliable partner in the ‘war on terror’ and a member of the ‘international community’ waging that war 8…”
Section: Westgate: Crisis Donation Rhetoricmentioning
confidence: 99%
“…(Wanner 2013)Drawing on the work of Achille Mbembe, Eggen argues that even seemingly humdrum administrative routines like this have a politically effective aesthetic dimension. As such, they are performative, connoting the justice of a state and its participation in a modernity sanctioned by international powers (Eggen 2012; Mbembe 2001). This was true of the blood donation queues that bodied forth an ideal of fairness in time and space, mixing people of different backgrounds all gathered for a patriotic end (Opalo 2013).…”
Section: ‘What We Want Is Control’: Order and Enlightenmentmentioning
confidence: 99%
“…The workshops represented governance as an aesthetic expression (Eggen, 2012) in that the act of 'giving sight' (dissemination) took precedence over the sight itself (knowledge). The workshops, as key to the success of LEITI's work, were therefore vehicles for showing LEITI to be 'bringers of light', but the workshops cannot be dismissed merely as aesthetic.…”
Section: Towards An Understanding Of the Meanings And Workings Of Tramentioning
confidence: 99%
“…Her work shows that the shared aesthetics of form and design enabled collaboration about international norms and platforms for action on women's rights. The production of information for purposes of governance is not necessarily driven by political convictions about the content and purpose of knowledge (Eggen ; Stirrat ). Rather, matters of form, design, and the presentation of information take precedence over its political uses and stir “collective passions” (Riles :115).…”
Section: Orientationsmentioning
confidence: 99%