2010
DOI: 10.1080/17405904.2010.511831
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Performing citizenship on YouTube: activism, satire and online debate around the anti-Islam videoFitna

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Cited by 111 publications
(59 citation statements)
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“…Hartley (1999) described 'DIY citizenship' to argue the increasing importance of media for political participation in various unintended and public ways. For example, Van Zoonen et al's (2010) work found that people's responses to the anti-Islam film Fitna on YouTube showed multiple forms of citizenship invoked by the film. Manning and Edwards (2014) also argued that young people employed various means of media production to articulate their political expression and perform an 'unlocated' citizenship, which helped address public issues of transnational relevance.…”
Section: Beyond the Educational Setting: The Changing Nature Of Citizmentioning
confidence: 99%
“…Hartley (1999) described 'DIY citizenship' to argue the increasing importance of media for political participation in various unintended and public ways. For example, Van Zoonen et al's (2010) work found that people's responses to the anti-Islam film Fitna on YouTube showed multiple forms of citizenship invoked by the film. Manning and Edwards (2014) also argued that young people employed various means of media production to articulate their political expression and perform an 'unlocated' citizenship, which helped address public issues of transnational relevance.…”
Section: Beyond the Educational Setting: The Changing Nature Of Citizmentioning
confidence: 99%
“…However, "popular content" may also play a similar mediating role as previous research has shown (Corner andPels, 2003/2006;van Zoonen, 2005;van Zoonen, Vis and Mihelj, 2010). Secondly, Jones argues that the analysis of political mediation often focuses on information dissemination to the "informed citizen", as in the work of Schudson (1999), and this is the normative expectation of news media's contribution to political and civic culture.…”
Section: Defi Ning Experiencementioning
confidence: 96%
“…Unlike in the past, when comparatively few individuals with access to the expensive technologies of image making could engage in this powerful form of expression, the increasing ubiquity of mobile and affordable digital cameras, their vastly improved design in the last decade, and the immediacy of social media connecting political geographies and borders allows ordinary citizens around the globe to instantly announce their support or disenchantment with ruling parties or public policy. Digital-networked images have the potential to disrupt even state-imposed political processes through this creative form of visual expression (Gerbaudo, 2015;Kraidy, 2016;Mottahedeh, 2015;Van Zoonen et al, 2010).…”
Section: Analytical Perspectives On Digital-networked Images As Persomentioning
confidence: 99%