2010
DOI: 10.1080/17530351003617552
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Performing Calculation in the Art Market

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Cited by 10 publications
(5 citation statements)
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“…For the case of art markets, these would also include the availability and specific use of market devices such as gallery spaces, art price databases or judgment devices which are used to evaluate contemporary art artistically and economically (see e.g. Herrero 2010;Velthuis and Coslor 2012). Finally, future research should address the impact which different activation mechanisms have on the further development of markets.…”
Section: Resultsmentioning
confidence: 99%
“…For the case of art markets, these would also include the availability and specific use of market devices such as gallery spaces, art price databases or judgment devices which are used to evaluate contemporary art artistically and economically (see e.g. Herrero 2010;Velthuis and Coslor 2012). Finally, future research should address the impact which different activation mechanisms have on the further development of markets.…”
Section: Resultsmentioning
confidence: 99%
“…As Bourdieu (1985, 3) notes, 'properties assigned to cultural goods are positional ones'. Once again, tacit assessments of value are objectified by the proposal's ability to enrol and stabilize claims on the 'capital' of existing authors (Herrero 2010 In this description there is the articulation of the process of making goods calculable, the crucial aspect of which is the decision as to which authors are going to be used as comparators. As with many cultural fields, a known or recognised name is reflective of, and bestows the power of, consecration (Bourdieu 1980).…”
Section: Proposal Submissions: the Beginnings Of Calculationmentioning
confidence: 99%
“…We have made use of Bourdieu's concept of habitus, suggesting that it might be usefully allied with studies of calculative agencies and agencement in order to further our understanding of varied means of 'agencing cognition' (Cochoy 2014) and to appreciate, within a framework of socio-materially mediated economic action, how individuals might cope with the positions of distinction and capital embedded in such material artefacts as the proposal (Herrero 2010). Although habitus does not come without some confusion (Brubaker 2004), empirical accounts illustrate that there is both complexity and subtlety in the concept, such that habitus serves as a useful analytical tool to illuminate the understanding of new entrants within book publishing.…”
Section: Proposal Submissions: the Beginnings Of Calculationmentioning
confidence: 99%
“…But this path was never allowed to lead too far from familiar territory. Others devised ways to bolster Bourdieusian frameworks with actor-network theory (e.g., Lang 2019;Herrero 2010;Prior 2008), diluting any threat posed by Hennion's version of STS.…”
mentioning
confidence: 99%