Abstract:A striking instrumental design innovation in recent years has been the development of the Paetzold ‘square bass’ bass recorders, sparking interest among performers and composers to develop a new approach to contemporary performance practice and electroacoustic composition. This article examines two works by Australian composers that have been performed by the author. Both pieces are written for the Paetzold contrabass recorder in F, applying its unique sound palette within different compositional approaches an… Show more
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