A Companion to Folklore 2012
DOI: 10.1002/9781118379936.ch5
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Cited by 43 publications
(1 citation statement)
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“…Bauman 1992;Singer 1959Singer , 1972). While we do not assume that a clear-cut distinction can be drawn between performance as a fenced-off genre or event on one side, and performance as an element of any social situation (see Schulz and Virtanen, forthcoming), we are particularly interested in realms of daily practice that revolve around aesthetic production.…”
Section: Performancementioning
confidence: 99%
“…Bauman 1992;Singer 1959Singer , 1972). While we do not assume that a clear-cut distinction can be drawn between performance as a fenced-off genre or event on one side, and performance as an element of any social situation (see Schulz and Virtanen, forthcoming), we are particularly interested in realms of daily practice that revolve around aesthetic production.…”
Section: Performancementioning
confidence: 99%