Perfomance

Salgado, Tiago Barcelos Pereira

doi:10.5752/p.2237-9967.2013v2n2p74-90

Disp

2014

DOI: 10.5752/p.2237-9967.2013v2n2p74-90

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Perfomance

Tiago Barcelos Pereira Salgado

Abstract: O texto trata do domínio da performance e de suas múltiplas definições. Em um recorte histórico o texto busca definir e aproximar a performance tanto do domínio da arte quanto em suas reverberações, pelas reflexões de Schechner, em outros domínios levando-nos a pensar o campo da performance no âmbito da vida cotidiana.

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Exu Pisa no Toco de um Galho Só: performance e performatividade em Exu

Silva

Torres

Alves

et al. 2022

Rev. Bras. Estud. Presença

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RESUMO Este artigo discute performatividade e performance através da analogia com o orixá Exu e as entidades Exus. A pesquisa de campo e a observação participante no candomblé e nas giras de Exus permitiram aprofundar as reflexões. Através de experiências como um omorixá Exu, projeta-se o terreiro e a encruzilhada como espaço de produção de conhecimento. Alargando o entendimento de performance tendo a diáspora africana como contribuição e influência. Conclui-se que performatividade/Exu e performance/Exus não podem ser subjugados a olhares universalistas e padronizadores. A encruzilhada é um espaço capaz de apontar caminhos que contribuem para a compreensão das performances e corporeidades negras.

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Exu Pisa no Toco de um Galho Só: performance e performatividade em Exu

Silva

Torres

Alves

et al. 2022

Rev. Bras. Estud. Presença

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Exu Steps on the Single-Branch Stump: performance and performativity in Exu

Silva,

Torres,

Alves

et al. 2022

Rev. Bras. Estud. Presença

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This paper discusses performativity and performance through an analogy with the orixá Exu and the Exus entities. The field research and participant observation in Candomblé and giras of Exu allowed for an in-depth reflection. Experiences as an Omorixá Exu allows us to approach the terreiro and the crossroads as a knowledge production space. Our understanding of performance is broadened due to the contributions and influences of the African diaspora. We conclude that performativity/Exu and performance/Exus cannot be subjugated to universalist and standardizing views. The crossroads is a space with the capacity of pointing out paths that contribute to the understanding of Black performances and corporealities.

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Perfomance

Cited by 2 publications

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Exu Pisa no Toco de um Galho Só: performance e performatividade em Exu

Exu Pisa no Toco de um Galho Só: performance e performatividade em Exu

Exu Steps on the Single-Branch Stump: performance and performativity in Exu

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