2020
DOI: 10.2478/mik-2020-0004
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Perception of the Modern Movement in Architecture as Cultural Heritage

Abstract: SummaryWhen the definition of cultural heritage in architecture is questioned regarding the perception of society, the results demonstrate that people identify cultural heritage as both material and spiritual achievements in the past and as a reflection of identity associated with historical monuments. Furthermore, the distinction between monument and cultural heritage does not have a well-distinguished definition for society in most cases. Therefore, the perception of people in the appraisal of cultural herit… Show more

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Cited by 8 publications
(6 citation statements)
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“…Based on the evaluation of leading publications studied by Mason [6], Yung and Chan [7], de la Torre [8], Doğan [9], Chen and Li [10] and Olukoya [11], 24 heritage value typologies were identified which formed the baseline for assessing a given heritage site through the Heritage Value Calculation [1]. These typologies -classified into four categories (N): (i) form and physicality, (ii) socio-cultural, (iii) economic and use, and (iv) informational value -are tabulated against six heritage dimensions (K) -design, materiality, function, location and context, tradition and techniques, and spirit and memory -forming a heritage value grid whereby all the dimensions of heritage and heritage values carry equal weighting.…”
Section: Theoretical Backgroundmentioning
confidence: 99%
“…Based on the evaluation of leading publications studied by Mason [6], Yung and Chan [7], de la Torre [8], Doğan [9], Chen and Li [10] and Olukoya [11], 24 heritage value typologies were identified which formed the baseline for assessing a given heritage site through the Heritage Value Calculation [1]. These typologies -classified into four categories (N): (i) form and physicality, (ii) socio-cultural, (iii) economic and use, and (iv) informational value -are tabulated against six heritage dimensions (K) -design, materiality, function, location and context, tradition and techniques, and spirit and memory -forming a heritage value grid whereby all the dimensions of heritage and heritage values carry equal weighting.…”
Section: Theoretical Backgroundmentioning
confidence: 99%
“…This value consists of historical values, social values, aesthetic values, and spiritual values (Lipe, 1984;Mason, 2002;Doğan, 2020). Historical values are the core of the heritage concept and the capability to react to the past of heritage objects is significant in explaining their meaning.…”
Section: Sociocultural Values Is Heritage Valuesmentioning
confidence: 99%
“…Research compiled by Mason [13], Yung and Chan [14], de la Torre [11], Doğan [15], Chen and Li [16] and Olukoya [17] formed the basis for Table 1. In this quantitative overview, 37 leading sources from the turn of the twentieth century were classified in terms of the following value typologies: 1) spiritual/religious, 2) cultural/symbolic, 3) social/community, 4) political, 5) anthropological (archaeological and environmental), 6) typological/townscape, 7) contextual, 8) historic, 9) rarity, 10) prestige/legacy, 11) commemorative, 12) aesthetic/artistic, 13) architectural, 14) scientific/structural, 15) technical/constructional, 16) economic, 17) option, 18) use, 19) tourism, 20) evidential, 21) educational, 22) newness, 23) ecological/landscape, and 24) authenticity.…”
Section: Heritage Value Typologiesmentioning
confidence: 99%