The Handbook of East Asian Psycholinguistics 2006
DOI: 10.1017/cbo9780511550751.020
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Perception and production of Mandarin Chinese tones

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Cited by 62 publications
(49 citation statements)
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“…As is apparent in the figure, this simulation gave rise to a delay for tone 2–3 pairs as compared to the other contrasts in terms of the trajectory of looks to target. This replicates published findings in the literature, where it has been shown that compared to other tonal contrast pairs, tones 2 and 3 compete with one another more strongly (Chandrasekaran, Krishnan, & Gandour, 2007), because they are discriminated on the basis of later acoustic cues during the unfolding of the syllable (Jongman, Wang, Moore, & Sereno, 2006; Shen, Deutsch, & Rayner, 2013; Whalen & Xu, 1992). …”
Section: Simulation Of Published Experimental Datasupporting
confidence: 90%
“…As is apparent in the figure, this simulation gave rise to a delay for tone 2–3 pairs as compared to the other contrasts in terms of the trajectory of looks to target. This replicates published findings in the literature, where it has been shown that compared to other tonal contrast pairs, tones 2 and 3 compete with one another more strongly (Chandrasekaran, Krishnan, & Gandour, 2007), because they are discriminated on the basis of later acoustic cues during the unfolding of the syllable (Jongman, Wang, Moore, & Sereno, 2006; Shen, Deutsch, & Rayner, 2013; Whalen & Xu, 1992). …”
Section: Simulation Of Published Experimental Datasupporting
confidence: 90%
“…Mandarin does not have segmental length contrasts (Lin, 2001), although Mandarin tones vary in length, and some listeners have been reported to use length to distinguish between tones when the main cue – the F0 pattern – has been artificially manipulated to be ambiguous (Tseng, Massaro, & Cohen, 1986; Blicher, Diehl, & Cohen, 1990; Jongman, Wang, Moore, & Sereno, 2006). As for sibilants, Mandarin has voiceless alveolo-palatals ([ɕ], [tɕ]) and retroflexes ([ʂ], [tʂ]) as allophones of the same phoneme: alveolo-palatals occur before high front vowels and the palatal glide, and retroflexes occur elsewhere (Lin, 2001).…”
Section: Methodsmentioning
confidence: 99%
“…Tonal contour is optimally characterized by the starting and ending fundamental frequency values for each syllable (Jongman, Wang, Moore, & Sereno, 2006). Tone 1 is associated with a high, level contour, Tone 2 with a rising contour, and Tone 4 with a falling contour.…”
Section: Methodsmentioning
confidence: 99%