Abstract:Aesthetic qualities of urban green and blue spaces have received considerable attention in scientific literature but are operationalized in multiple ways and lack clear assessment and measurement techniques. To fill in this gap, we developed a Perceived Environmental Aesthetic Qualities Scale (PEAQS). Based on previous literature both in philosophy and empirical sciences we created a questionnaire with 36 statements and three open questions focusing on the perceived aesthetic qualities of environments. This qu… Show more
“…In cultural and creative tourism, perceived aesthetics and enjoyment are essential elements of aesthetic value [32]. Perceived aesthetics is the aesthetic response of one or more senses to environmental stimuli, which will affect individual information processing after being internalized, such that aesthetic quality can be regarded as the result of the interaction between individuals and the environment [46]. When tourists perceive aesthetics in tourism activities, the impact of the tourism destination environment on the tourist experience is direct and profound [47].…”
Chinese culture has been developed over five thousand years, and the ways in which to retain its sustainable development and maintain its rich spiritual treasures are critical issues. In order to address this critical issue, this study examines whether cultural intelligence can promote positive emotions and a flow experience. The results from 509 valid samples reveal that cultural intelligence contributes to a flow experience through a path of “perception–enjoyment–flow”. Cultural experience, perceived aesthetics, perceived authenticity and the awakening of enjoyment are effective conduction factors in the process. Furthermore, this study confirms that creative performance has a positive moderating effect on the relationship between cultural intelligence and cultural experience, perceived aesthetics, and perceived authenticity. The findings clarify the links of the influence of cultural intelligence on tourists’ flow experience, and expand the theoretical framework for research on flow experience and the scope of the application of flow theory.
“…In cultural and creative tourism, perceived aesthetics and enjoyment are essential elements of aesthetic value [32]. Perceived aesthetics is the aesthetic response of one or more senses to environmental stimuli, which will affect individual information processing after being internalized, such that aesthetic quality can be regarded as the result of the interaction between individuals and the environment [46]. When tourists perceive aesthetics in tourism activities, the impact of the tourism destination environment on the tourist experience is direct and profound [47].…”
Chinese culture has been developed over five thousand years, and the ways in which to retain its sustainable development and maintain its rich spiritual treasures are critical issues. In order to address this critical issue, this study examines whether cultural intelligence can promote positive emotions and a flow experience. The results from 509 valid samples reveal that cultural intelligence contributes to a flow experience through a path of “perception–enjoyment–flow”. Cultural experience, perceived aesthetics, perceived authenticity and the awakening of enjoyment are effective conduction factors in the process. Furthermore, this study confirms that creative performance has a positive moderating effect on the relationship between cultural intelligence and cultural experience, perceived aesthetics, and perceived authenticity. The findings clarify the links of the influence of cultural intelligence on tourists’ flow experience, and expand the theoretical framework for research on flow experience and the scope of the application of flow theory.
“…Through semi-structured interviews, the analysis yielded 21 aesthetic dimensions, which were grouped into nine themes. Subiza-Pérez et al [31] developed the PEAQS to measure the aesthetic quality of a tourist attraction, but the scale only focuses on the aesthetics of the natural physical environment and does not address the deeper emotional and spiritual aspects of aesthetics. Breiby et al [32] construct an aesthetic experience scale with five dimensions from sensory aspects: "harmony", "variation/contrast", "scene/viewing", "genuineness", and "art/architecture".…”
Section: Discussionmentioning
confidence: 99%
“…Currently, the study of aesthetic experience focuses on philosophical discussion so that empirical research on the aesthetic experience offered by tourism is needed [30]. A small number of empirical studies mainly focus on the "sensory level" of aesthetic experience [31][32][33], ignoring its "spiritual level". In fact, the existing literature tends to regard aesthetic experience as a dimension of consumer experience (entertainment, education, aesthetics, and escape) [34], and research focuses on the role of aesthetic experience in the field of service marketing [35,36].…”
China’s countryside is rich in cultural heritage. It is an important engine for rural development and revitalization. How to improve the tourists’ satisfaction with their aesthetic experience, raise the revisit rate and loyalty, and provide new methods and ideas for re-understanding the tourism experience is a topic worth discussing. This study chose Zoumatang Village in Ningbo, China, as the research target, and explored the important factors affecting tourists’ satisfaction with the aesthetic experience of their visit. Through a literature review and eight experts applying the Delphi method, this paper develops a framework of important criteria for the Zoumatang Village aesthetic experience. It then ranks their importance and causal relationships using the DEMATEL-based ANP method. It also combines 16 important factors for tourist satisfaction to explore improvement measures. The research results show that pleasure is the most critical factor of the aesthetic experience offered by Zoumatang Village with interactivity, variety, associability, sociability, and stewardship as factors that need to be improved given that naturalness lies at the heart of tourists’ aesthetic experience. The evaluation model of this study can provide a reference for improving the aesthetic experience of Zoumatang Village in particular, and the research methods and ideas for rural tourism development planning and integrated marketing in general. The findings can be used when investigating aesthetic experience, questionnaire making, and evaluation optimization related to tourism.
“…A considerable number of previous studies have indicated that the beneficial effects of landscape preferences and rehabilitation landscapes on humans' physical and psychological health will be affected by a person's attention to nature, sense of fatigue, and other psychological states (Berman et al, 2009;Tyrväinen et al, 2014;van den Berg and Jorgensen, 2014;Windhorst and Williams, 2015). Although Joye and van den Berg (2011) have pointed out that landscape preference was not a direct cause of physical and mental recovery, it is undeniable that in the studies on landscape preference, there is a positive correlation between a psychological state and a healthy relationship (Hartig et al, 1997;van den Berg et al, 2003;Subiza-Pérez et al, 2019); the researchers considered that people are more likely to choose to ascend in their well-being and emotional state of active space (Kaplan et al, 1998;Feng and Chen, 2020). Although moods cannot be totally equal to emotions, moods are often used as indicators of emotion to explore the benefits of nature to human beings.…”
Section: Psychological-affective Mood and Landscape Preferencementioning
The interaction between man and nature causes people to have different preferences for their surrounding environment, and pleasant landscapes can bring both physical and mental benefits to people. Previous studies have demonstrated the relationship between moods and landscape preferences, and this study sought to explore the landscape preferences of college students under different moods. A total of 1,034 students participated in the survey, recovering 1,022 valid questionnaires. The Profile of Mood States (POMS) scale was used to evaluate the mental status of each respondent. The study on landscape characteristics proceeded in two steps (comprising four gradients): landscape naturalness and landscape visual openness. The research results show that under natural landscape conditions, college students in a fatigued state have a greater preference for the second-gradient (higher naturalness) landscape environment; under the conditions of landscape visual openness, college students in an indignant state have a greater preference for the second-gradient (relatively private) landscapes. These findings have significance for exploring the rehabilitation function of landscape architecture and have a guiding role for future landscape design.
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