Patterns in Horatian Lyric

Rudd, Niall

doi:10.2307/292531

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1982

2015

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Cited by 54 publications

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“…For an assessment of this debate see Watson (2003) 421–2. Some other readings: Fraenkel (1957) 65–6; Rudd (1960) 383–6; Kilpatrick (1970); Davis (1991) 11–16, 146–50.…”

mentioning

confidence: 99%

GLOSSING ACHILLES: HORACE,EPODE13

Phillips

2015

Camb. class. j.

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This paper argues that the final couplet of Horace, Epode 13 alludes both to the description of Achilles playing the lyre in Iliad 9 and to ancient scholarly debate about the Homeric passage. Horace's reworking of the Iliad underlines his transfer of epic material to a sympotic setting, and the scholarly allusion reinforces Horace's presentation of himself as a symposiastic speaker by drawing on the tradition of symposia as sites of learned conversation. This dual engagement with Homer encourages readers to see their own responses to Horace's poem as part of a continuum of literary debate.

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“…For an assessment of this debate see Watson (2003) 421–2. Some other readings: Fraenkel (1957) 65–6; Rudd (1960) 383–6; Kilpatrick (1970); Davis (1991) 11–16, 146–50.…”

mentioning

confidence: 99%