2013
DOI: 10.1364/ao.52.007152
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Passive depth estimation using chromatic aberration and a depth from defocus approach

Abstract: In this paper, we propose a new method for passive depth estimation based on the combination of a camera with longitudinal chromatic aberration and an original depth from defocus (DFD) algorithm. Indeed a chromatic lens, combined with an RGB sensor, produces three images with spectrally variable in-focus planes, which eases the task of depth extraction with DFD. We first propose an original DFD algorithm dedicated to color images having spectrally varying defocus blurs. Then we describe the design of a prototy… Show more

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Cited by 40 publications
(65 citation statements)
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“…Second, dead zones can be overcome using several images with various in-focus planes. In a single snapshot context, this can be obtained with unconventional optics such as a plenoptic camera [32] or a lens with chromatic aberration [33,12], but both at the cost of image quality (low resolution or chromatic aberration).…”
Section: Related Workmentioning
confidence: 99%
“…Second, dead zones can be overcome using several images with various in-focus planes. In a single snapshot context, this can be obtained with unconventional optics such as a plenoptic camera [32] or a lens with chromatic aberration [33,12], but both at the cost of image quality (low resolution or chromatic aberration).…”
Section: Related Workmentioning
confidence: 99%
“…This simple and generic model, which can be physically interpreted as a 1/f 2 decrease of the scene spectrum, has previously yielded good results in single image blur identification [9,12,22]. In Section 7, we show that it is also valid to predict the DFD performance on real scenes.…”
Section: B Scene Modelmentioning
confidence: 74%
“…An interesting perspective is to apply this model to the design of SIDFD systems with unconventional cameras, for instance cameras having coded apertures, or a chromatic lens [6,11,12].…”
Section: Resultsmentioning
confidence: 99%
“…In essence, the problem of estimating a depth map from pictorial cues alone is ill-posed. Optically encoding depth-dependent scene information has the potential to remove some of the ambiguities inherent in all-in-focus images, for example using (coded) defocus blur [28,26,20,44,1] or chromatic aberrations [43]. However, it is largely unclear how different optical coding strategies compare to one another and what the best strategy for a specific task may be.…”
Section: Introductionmentioning
confidence: 99%