Passionate Statuary: A Look Into ‘The Classical Annex’ of E. M. Forster

Doloff, Steven

doi:10.1093/nq/47-3-342

Notes and Queries

2000

DOI: 10.1093/nq/47-3-342

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Passionate Statuary: A Look Into ‘The Classical Annex’ of E. M. Forster

Steven Doloff¹

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2014

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“…So far, so heterosexual. However, Ovid's 17 and (Doloff 2000). 18 The combination of homosexual love, wrestling, the rejection of sex, and a falling 35 (Belsey 2004).…”

mentioning

confidence: 99%

Responding to Ovid's Pygmalion episode and receptions of same-sex love in Classical antiquity: art, homosexuality, and the Curatorship of Classical culture in E. M. Forster's 'The Classical Annex'

Ingleheart¹

2014

Classical Receptions Journal

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“…So far, so heterosexual. However, Ovid's 17 and (Doloff 2000). 18 The combination of homosexual love, wrestling, the rejection of sex, and a falling 35 (Belsey 2004).…”

mentioning

confidence: 99%

Responding to Ovid's Pygmalion episode and receptions of same-sex love in Classical antiquity: art, homosexuality, and the Curatorship of Classical culture in E. M. Forster's 'The Classical Annex'

Ingleheart¹

2014

Classical Receptions Journal

View full text Add to dashboard Cite

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Passionate Statuary: A Look Into ‘The Classical Annex’ of E. M. Forster

Cited by 1 publication

References 0 publications

Responding to Ovid's Pygmalion episode and receptions of same-sex love in Classical antiquity: art, homosexuality, and the Curatorship of Classical culture in E. M. Forster's 'The Classical Annex'

Responding to Ovid's Pygmalion episode and receptions of same-sex love in Classical antiquity: art, homosexuality, and the Curatorship of Classical culture in E. M. Forster's 'The Classical Annex'

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