2006
DOI: 10.1177/1329878x0611800104
|View full text |Cite
|
Sign up to set email alerts
|

Participatory Cultural Production and the Diy Internet: From Theory to Practice and Back Again

Abstract: The free and open source software movements have inspired a new mode of participatory cultural production. The early hacker communities elaborated a sophisticated socio-technical system of network-enabled collaboration culminating in the GNU-Linux operating system. More recently, a range of do-it-yourself (DIY) media technologies have given any user with internet access the ability to become a producer in a variety of social fields. This has spawned an entirely new understanding of authorship and content produ… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2009
2009
2012
2012

Publication Types

Select...
1
1

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(1 citation statement)
references
References 6 publications
(2 reference statements)
0
1
0
Order By: Relevance
“…Its use in teaching has mostly been limited to audio and video recording of lectures to make them available to students electronically (Read, 2005;Thomas, 2006) or instructional, as in, for example, student guides to library use (Jowitt, 2008). There is an emerging use of participatory video and audio, including podcasting, in the field of cultural production and research (Sharp, 2006), but the technology potentially has a wider range of applications to geography and the social sciences, and its broader benefits to undergraduate student learning are beginning to be explored (e.g. Lee et al 2008;Salmon & Edirisingha, 2008).…”
Section: Introductionmentioning
confidence: 99%
“…Its use in teaching has mostly been limited to audio and video recording of lectures to make them available to students electronically (Read, 2005;Thomas, 2006) or instructional, as in, for example, student guides to library use (Jowitt, 2008). There is an emerging use of participatory video and audio, including podcasting, in the field of cultural production and research (Sharp, 2006), but the technology potentially has a wider range of applications to geography and the social sciences, and its broader benefits to undergraduate student learning are beginning to be explored (e.g. Lee et al 2008;Salmon & Edirisingha, 2008).…”
Section: Introductionmentioning
confidence: 99%