CIM22 2022
DOI: 10.2218/cim22.1a26
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Participatory applause

Abstract: Disciplinary background A. According to musicological studies of audience culture, applause is the most overt form of participation allowed to the collections of individuals attending classical music concerts (Brandl-Risi, 2011;Small, 1998;Tröndle, 2020). The final round of applause can exhibit many interesting dynamics related to their collective enthusiasm for the performance (Lupyan & Rifkin, 2003), the local applause culture, and what is on stage during the clapping. Disciplinary background B.Quantitative … Show more

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Cited by 2 publications
(2 citation statements)
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“…The question of setting is particularly interesting as there is increasing interest in conducting experiments in live concert settings for increased ecological validity [ 92 96 ]. However, there are valid concerns about the loss of control that comes with a naturalistic setting that can be mitigated in-lab.…”
Section: Discussionmentioning
confidence: 99%
“…The question of setting is particularly interesting as there is increasing interest in conducting experiments in live concert settings for increased ecological validity [ 92 96 ]. However, there are valid concerns about the loss of control that comes with a naturalistic setting that can be mitigated in-lab.…”
Section: Discussionmentioning
confidence: 99%
“…Setting may matter. The question of setting is particularly interesting as there is increasing interest in conducting experiments in live concert settings for increased ecological validity (Chang et al, 2017;Kayser et al, 2022;O'Neill & Egermann, 2022;Swarbrick et al, 2019;Upham et al, 2022).…”
Section: Findings In Contextmentioning
confidence: 99%