2017
DOI: 10.1504/ijart.2017.084942
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Participant responses to physical, open-ended interactive digital artworks: a systematic review

Abstract: Abstract:The main aim of this systematic review was to describe responses of participants to physical, open-ended interactive digital artworks. Although human-to-artwork and human-to-human responses were found in the 22 identified artworks, more human-to-artwork responses were reported. Both types of responses were further categorised into physical, verbal, and cognitive/emotional responses. The artworks varied from small table-top installations to large, dark open spaces, and had a range of interactive compon… Show more

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Cited by 5 publications
(2 citation statements)
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“…In case of disagreement, the researchers consulted two other researchers (SB and SvH) to reach consensus. The framework of codes was based on the results of a prior literature review on "Participant Responses to Physical, Open-ended Interactive Digital Artworks" [10]. The framework distinguishes between human-human and human-artwork responses, each divided into verbal, physical and emotional/mental responses.…”
Section: Discussionmentioning
confidence: 99%
“…In case of disagreement, the researchers consulted two other researchers (SB and SvH) to reach consensus. The framework of codes was based on the results of a prior literature review on "Participant Responses to Physical, Open-ended Interactive Digital Artworks" [10]. The framework distinguishes between human-human and human-artwork responses, each divided into verbal, physical and emotional/mental responses.…”
Section: Discussionmentioning
confidence: 99%
“…A framework was used to structure the coded responses, which emerged from the results of a literature review on “Participant responses to physical, open-ended interactive digital artworks” (Luyten et al , 2017) and has previously been used to structure the responses of nursing home residents in relation to the interactive artwork VENSTER (Luyten et al , 2018) (Figure 2). The framework presents a structure in which the most common responses of people who interact with an open-ended interactive artwork (such as the CRDL) can be placed.…”
Section: Methodsmentioning
confidence: 99%