Abstract:Michael Haneke’s Code Unknown and the multi-director Paris, je t’aime belong (the latter at least in part) to a recently emerged cinematic form described as the network form, which represents changing spaces and plural perspectives in multicultural societies. Reflecting Rosalind Galt’s concept of “anti-anti-Eurocentrism”, they represent discursive and referential spaces of Parisian society. Through a comparative analysis of how they frame space with regard to borders and transnational relationships, it becomes… Show more
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