1995
DOI: 10.1002/cne.903600305
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Parallel pathways and convergence onto HVc and adjacent neostriatum of adult zebra finches (Taeniopygia guttata)

Abstract: The structure and connectivity of the forebrain nucleus HVc, a site of sensorimotor integration in the song control system of oscine birds, were investigated in adult zebra finches. HVc in males comprises three cytoarchitectonic subdivisions: the commonly recognized central region with large and medium-sized darkly staining cells, a ventral caudomedial region with densely packed small and medium-sized cells, and a dorsolateral region with oblong cells and rows of cells. All three subdivisions project to area X… Show more

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Cited by 220 publications
(199 citation statements)
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“…This is exactly what was found with the discovery of the connectivity of CMM and NCM to other auditory regions and the IEG response of these regions to song playback [13,53,54]. As noted in §2b, above, there is growing evidence that these regions are critical for song perception in many species, and may also function as the neural basis of song memories.…”
Section: Review Levels Of Analysis S a Macdougall-shackleton 2079supporting
confidence: 68%
“…This is exactly what was found with the discovery of the connectivity of CMM and NCM to other auditory regions and the IEG response of these regions to song playback [13,53,54]. As noted in §2b, above, there is growing evidence that these regions are critical for song perception in many species, and may also function as the neural basis of song memories.…”
Section: Review Levels Of Analysis S a Macdougall-shackleton 2079supporting
confidence: 68%
“…Units in NCM may project to HVC (Fortune and Margoliash, 1995;Vates et al, 1996), and our latency data here allow the possibility that NCM provides a major excitatory input to HVC. Some neurons in HVC show highly specific electrophysiological responses to song, but how this specificity emerges is not known.…”
Section: Function Of Ncm In Song Perception and Memorymentioning
confidence: 75%
“…HVC receives projections from auditory areas and is implicated both in syllable sequencing and in the control of tempo (Nottebohm et al, 1976;McCasland and Konishi, 1981;Margoliash, 1983;McCasland, 1987;Vu et al, 1994;Fortune and Margoliash, 1995;Yu and Margoliash, 1996;Schmidt and Konishi, 1998; Dave and Margoliash, 2000; Figure 7. Models for feedback contributions to vocal control.…”
Section: Discussionmentioning
confidence: 99%