Palimpsestes: La littérature au second degré

Champagne, Roland A.; Genette, Gérard

doi:10.2307/40137836

Cited by 44 publications

(48 citation statements)

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“…It can be directly linked to the text that it comments on as a preface, annotations, text box. It can also be deployed remotely via other media or communication supports (Genette, 1992(Genette, [1982: 11). For example, a promotional film, an exhibition, an elected official's speech (Figures 4 and 5).…”

Section: Making Narratives Speak Through Second-degree Planning: Corp...mentioning

confidence: 99%

“…These narratives develop from the narration of a story through techniques-such as tables, graphs, maps, diagrams, action sheets, etc.-that are specific to a discipline (planning or urban planning). Quite regularly, this document uses components of other studies and quotes from interviews or political statements set in boxes or headings: the "objective presence of one text in another" (Genette, 1982(Genette, [1992: 8), which is characteristic of intertextuality, "producing significance" (Riffaterre quoted in Genette, 1982Genette, [1992: 9) and contributing to the "mechanism[s] of influence" (Bloom quoted in Genette 1982Genette [1992: 9).…”

Section: Introductionmentioning

confidence: 99%

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The empire of the narrative: Plan making through the prism of classical and postclassical narratologies

et al. 2022

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This article theorizes the “narrative turn” in urban planning studies, using Gérard Genette’s work to differentiate first- and second-degree narratives. Genette defines the latter as paratexts that determine the public’s reception of the former. The article assesses how second-degree narratives work with different perceptual regimes to construct the reception of the political vision of territory. To that end, it resorts to the recent work of postclassical narratology. Indeed, the latter is particularly interested in the way in which the narrative, in various forms, affects its addressee. Postclassical narratology allows us to renew the theory of narrative in urban planning by focusing on what hypothetically happens in the consciousness of the receiver of the narrative when he or she becomes aware of it. Consequently, the paper sheds light on an emerging aspect of the design process: disambiguating signals embedded in urban planning documents intended for a wider public.

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Section: Making Narratives Speak Through Second-degree Planning: Corp...mentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

The empire of the narrative: Plan making through the prism of classical and postclassical narratologies

et al. 2022

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“…In a key contribution to the theory adaptation significantly entitled 'The Dialogics of Adaptation', Robert Stam describes adaptation as 'intertextual dialogism', thus referring to 'the infinite and open-ended possibilities generated by all the discursive practices of a culture, the entire matrix of communicative utterances within which the artistic text is situated, which reach the text not only through recognizable influences, but also through a subtle process of dissemination ' (2000: 64). Stam exemplifies this approach by applying Gérard Genette's five categories of transtextuality-the relation between one text and other texts-to film adaptations (Genette 1982). Indeed, Genette's transtextual relations are well illustrated by the preceding study of Branagh's adaptation of Frankenstein: the film is a hypertextual transformation of the literary hypotext by Mary Shelley.…”

Section: Adaptation As Cultural Intertextualitymentioning

confidence: 99%

Beyond Adaptation: Frankenstein’s Postmodern Progeny

García¹,

Javier²

2005

Books in Motion

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This chapter examines Kenneth Branagh's Mary Shelley's Frankenstein (1994) in order to demonstrate how, despite the film's avowed claim to be faithful to the book, it displays important differences with it which are related to other films, not only previous adaptations of Frankenstein, but also contemporary adaptations of other texts--Francis Ford Coppola's Bram Stoker 's Dracula (1992) in particular. After a brief overview of the Frankenstein cinematic myth, the chapter focuses on the elements apparently restored from the book but in fact transformed after Coppola's example, which turn Branagh's film into a romantic Frankenstein. Then it moves on to outright additions, elements which have nothing to do with the book but ultimately point to other film versions of the myth, although reinterpreted and transformed in order to produce a postmodern Frankenstein. The final section discusses the implications of this particular case for a theory of film adaptation and proposes a redefinition of adaptation as cultural intertextuality.

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“…Se o autor decidiu reescrevê-los, copiá-los, enfim, relançá-los no seu tempo, que novo sentido lhes atribui com esse deslocamento? (CARVALHAL, 2006, p. 52) Feitas essas proposições iniciais, prosseguiremos com o diagnóstico de como a problemática, para citar Gerárd Genette (1982), dessa "transcendência textual"quer dizer, as formas pelas quais um texto, ao transcender e, portanto, abandonar sua imanência, se relaciona com outros textosse configura em se tratando da produção literária de Murilo Rubião e a influência por ele sentida de Machado de Assis, e de quais impactos são, em virtude de tudo isso, verificados nos contos do autor mineiro. Isto tudo, quer dizer, todas essas tarefas se mostram ainda mais favoráveis se prestarmos especial atenção às declarações a seguir, as quais parecem perfeitamente valer para a economia dos contos murilianos:…”

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Berchez¹

2023

Gláuks

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O objetivo deste artigo é investigar a presença – já confirmada noutras oportunidades, como entrevistas – das obras de Machado de Assis, sendo elas Memórias póstumas de Brás Cubas e O alienista, na literatura de Murilo Rubião. Realizamos leituras relacionais que, com base em evidências incontestáveis, endossam a influência das obras machadianas e, por conseguinte, concorrem para a inteligibilidade do que foi acolhido, rejeitado, imitado, distorcido etc. pelo autor mineiro quando no empreendimento de concepção e construção de sua contística. Junto a isso, são também feitas reflexões sobre as seguintes questões: a relação entre as literaturas brasileira e fantástica; os procedimentos de empréstimo, apropriação, integração etc. que irrompem do contato das obras; e os resultados alcançados pelo posicionamento do autor mineiro em relação às tradições literárias em jogo.

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Palimpsestes: La littérature au second degré

Cited by 44 publications

References 0 publications

The empire of the narrative: Plan making through the prism of classical and postclassical narratologies

The empire of the narrative: Plan making through the prism of classical and postclassical narratologies

Beyond Adaptation: Frankenstein’s Postmodern Progeny

Homens do além-mundo:

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