2018
DOI: 10.1016/j.cortex.2017.11.018
|View full text |Cite
|
Sign up to set email alerts
|

Painter and scribe: From model of mind to cognitive strategy

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...

Citation Types

0
1
0

Year Published

2018
2018
2022
2022

Publication Types

Select...
4
1

Relationship

1
4

Authors

Journals

citations
Cited by 5 publications
(1 citation statement)
references
References 13 publications
0
1
0
Order By: Relevance
“…1 Recently published studies in psychology and cognitive neuroscience indicate that not all individuals have this visual-imaginary capacity; ‘aphantasia’ is a term being given to the condition of experiencing ‘a blind mind’ in this particular way. This is important because ‘visual’ language for ekphrastic experiences is prominent, yet in the first place, ‘visualization’ does not fully describe the experience of imagining other types of sensory content (for example the music metaphors we describe on pages 18–22) and in the second, individuals with aphantasia report creative use of contextual details and other types of information from descriptive texts or narratives to understand what is going on in passages requiring creation of mental imagery (see Keogh and Pearson 2018 for clinical description of this condition and MacKisack 2018 for a short history of the topic). Some critical scholars have for inclusive reasons turned to less visual, more capacious sensorial vocabulary to describe imagistic mental phenomena…”
mentioning
confidence: 99%
“…1 Recently published studies in psychology and cognitive neuroscience indicate that not all individuals have this visual-imaginary capacity; ‘aphantasia’ is a term being given to the condition of experiencing ‘a blind mind’ in this particular way. This is important because ‘visual’ language for ekphrastic experiences is prominent, yet in the first place, ‘visualization’ does not fully describe the experience of imagining other types of sensory content (for example the music metaphors we describe on pages 18–22) and in the second, individuals with aphantasia report creative use of contextual details and other types of information from descriptive texts or narratives to understand what is going on in passages requiring creation of mental imagery (see Keogh and Pearson 2018 for clinical description of this condition and MacKisack 2018 for a short history of the topic). Some critical scholars have for inclusive reasons turned to less visual, more capacious sensorial vocabulary to describe imagistic mental phenomena…”
mentioning
confidence: 99%