2009
DOI: 10.1509/jimk.17.1.30
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Package Design as a Communications Vehicle in Cross-Cultural Values Shopping

Abstract: Following a strategic approach, the authors test a universal model across cultural groups. They propose that consumers infer brand values (i.e., internal, external, and fun and enjoyment values) from packages and form their purchase intentions on the basis of those values. The authors test this proposition on three culturally diverse subsamples who evaluated three fictional brands each for one hedonic product (chocolate) and one utilitarian product (salt). The results indicate that variances in consumers’ use … Show more

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Cited by 54 publications
(27 citation statements)
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References 86 publications
(142 reference statements)
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“…Nonetheless, studies on the aesthetics of commercial products often report significant cultural differences (e.g. Limon et al 2009;Pearce et al 2010). Thus, we do not wish to over generalize our results and prefer a more constrained interpretation that humans share a deep rooted emotional concept of animals and follow common cues when judging their aesthetics.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…Nonetheless, studies on the aesthetics of commercial products often report significant cultural differences (e.g. Limon et al 2009;Pearce et al 2010). Thus, we do not wish to over generalize our results and prefer a more constrained interpretation that humans share a deep rooted emotional concept of animals and follow common cues when judging their aesthetics.…”
Section: Discussionmentioning
confidence: 99%
“…People across cultures seem to infer values from external features, often applying the rule "what is beautiful is good" (Dion et al 1972), e.g. customers across cultures make assumptions about the nature and quality of products from their packages (Limon et al 2009). Similar perceptual shortcuts seems to apply to our apprehension of other living kinds.…”
Section: Discussionmentioning
confidence: 99%
“…Empirical studies reveal that product packaging provides product cues to consumers, providing brand identification, (Underwood, 2003), and affects consumers' evaluation of a food product (Underwood & Klein, 2002;Chung et al 2006). The product development viewpoint considers packaging design as a marketing vehicle (Löfgren & Witell, 2005) for consumer communication (Silayoi & Speece, 2007;Limon et al, 2009). Product packaging for the consumer is an important dimension of a brand's image because it is generally the critical point of contact in the shopping encounter.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Limon et al [5] worked on the packaging design as a resource for the construction of brand Identity. The result was that there were no meaningful guidelines for developing packaging design, shapes, finishes, sizes, images, colors, impressions, purchase intention, and brand.…”
Section: Literature Reviewmentioning
confidence: 99%