2015
DOI: 10.5334/csci.80
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Owning your emotions or sentimental navel-gazing:Digital storytelling with South African pre-service student educators

Abstract: Literature argues that for post-conflict pedagogies to facilitate student engagement across difference it requires emotional engagement with the subject. However, how to achieve such emotional engagement, without falling into the trap of sentimentality, is an area that is under-researched. This paper reflects on conversations with South African students in a final year pre-service teacher-training programme, who developed digital stories as a vehicle for student engagement across difference. Applying 'critical… Show more

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Cited by 12 publications
(23 citation statements)
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“…This snapshot represents one of the many pedagogical and ethical dilemmas we have faced in our practice as educators, and in particular in our work with personal narratives in a digital storytelling project we have run over several years with pre-service teacher educators. We have written about the process of digital storytelling extensively elsewhere (Gachago et al 2015;Gachago et al 2013;Gachago and Sykes 2017). Digital stories are personal narratives that document lived experiences by combining voice, sound and images into a short video, developed by non-professionals with non-professional tools within the context of a digital storytelling workshop (Lambert 2010;Reed and Hill 2012).…”
Section: Snapshotmentioning
confidence: 99%
“…This snapshot represents one of the many pedagogical and ethical dilemmas we have faced in our practice as educators, and in particular in our work with personal narratives in a digital storytelling project we have run over several years with pre-service teacher educators. We have written about the process of digital storytelling extensively elsewhere (Gachago et al 2015;Gachago et al 2013;Gachago and Sykes 2017). Digital stories are personal narratives that document lived experiences by combining voice, sound and images into a short video, developed by non-professionals with non-professional tools within the context of a digital storytelling workshop (Lambert 2010;Reed and Hill 2012).…”
Section: Snapshotmentioning
confidence: 99%
“…Initially located at the end of the course, it became clear there was little or no time for students to reflect more carefully on overlaps, commonalities or contradictions emerging out of the digital stories. In the absence of critical reflection the likelihood that students acquire a superficial understanding of difference risks reinscribing existing hierarchies is high (Gachago 2015;Gachago, Ivala, Chigona and Condy 2015;Gachago et al 2014, Stewart andGachago 2016;Zembylas 2013). …”
Section: Context and Methodologymentioning
confidence: 99%
“…This article draws from a larger study, which aimed to explore the potential of digital storytelling as a tool to transform students' engagement across difference, by sharing personal stories but also creating a space for such difficult conversations. We have reflected on the potential and limitations of digital storytelling -both as a process and a productas a socially just pedagogy elsewhere (see for example Gachago 2016;Gachago et al 2015;Gachago 2015).…”
Section: Introductionmentioning
confidence: 99%